Astrophotography has managed to survive lockdown, but what about photographers who shoot interiors and portraits? How do you keep working under quarantine?
The answer came surprisingly fast: shooting during video calls. What used to look like an experimental technique has become one of the few ways to keep working in a reality where the photography profession itself has been put on hold.
Of course, none of these images compare to a portrait taken with a professional camera — forget about sharpness, color rendition, or high resolution. There’s no chance of repositioning anything either; the lens is usually several thousand kilometers away from the shutter button. The connection quality depends on local Wi-Fi and is largely unpredictable. And at the worst possible moment, a phone that seemed securely propped up loses its balance and falls — instead of a smiling face, you get a blur of tumbling images followed by a static shot of the ceiling.
Nevertheless, the project did take place: I took pictures of friends and acquaintances from different countries in the environment where they have to stay until the end of the quarantine. Then I asked two questions:
1. What did you find most surprising/shocking in the lockdown?
2. What do you plan to do after the quarantine ends?
For me, this project is itself an answer to the first question: I can’t recall a time when all of us, wherever we live, ended up in such similar circumstances — in other words, “in the same boat.”